So this is a pretty weak beef, especially considering The Ocean seem totally out of place on this year’s Summer Slaughter Tour.
The Ocean are bummed the heaviest tour on Earth prohibits stage diving, and has blasted the founders of the fest for being lame in that regard.
Ash Avildsen, who runs Sumerian Records and founded Summer Slaughter, has responded to the band’s complaints in a lengthy post.
“I’m a bit offended by The Ocean Collective’s recent Facebook post jabbing Summer Slaughter and some of the venues that are willing to host it so let me set the record straight,” Ash writes.
“Summer Slaughter is called ‘The Most Extreme Tour Of The Year’ because of the music. It’s the only tour that puts 10 national acts who play progressive, extreme music all on one stage inside a club during the summer in North America. It’s not called this because of bands doing vintage stage antics.
“Iggy Pop and Jim Morrison were jumping off stages in to the crowd before you guys ever picked up an instrument. Jumping off things at a venue doesn’t make you extreme, it makes you dangerous. Sure it’s a cool thing to watch if no one gets hurt, who doesn’t love eye candy? But the reality is people get injured, paralyzed or in rare cases die from this and therefore certain venues at these capacity levels will not allow it. This is usually because of past lawsuits or ones that are still pending verdicts/settlements.”
How soon we forget about Randy Blythe’s arrest.
“It’s not the opening band who’s going to end up footing the bill for the kid when their parents sue for a million dollars for damages, it’s the venue. So next time you start whining about not being allowed to be ‘extreme’ enough on Summer Slaughter, focus on being appreciative of the opportunity you have been given to play your music in front of thousands of people opening for some other great bands instead.”
“If you still really think your music and live performance simply will not be properly conveyed because you can’t jump off shit, then do it where other people don’t have to catch you and risk getting hurt. Land that move and go back on stage to finish your vocal line. That’s extreme. Or maybe you go on tour with Bad Luck 13 Riot Extravaganza and find a new definition for what you consider extreme at a show. I invited you to play because I appreciate your music, so start appreciating the venues and people who are making it possible for you to be here. While you keep taking notes from Dillinger on stage, be sure to take them off stage too. They carry their our own tour/liability insurance. Might want to look in to that bud.”
In response, The Ocean’s Robin Staps wrote: “… so our recent Facebook post on stage diving at Summer Slaughter has recently turned into a bit of a drama, as some people have said — or maybe just a healthy discussion of a difficult topic. Ash Avidsen, head of Summer Slaughter tour, has replied to our post this morning, and here is our reply, once more.”
It begins, “We have been enjoying this tour to the max, despite some venue’s strict regulations, and we appreciate the opportunity of being here. The point was not to diss the Summer Slaughter tour, which we respect for being a forward-thinking and ground-breaking institution – that’s the whole reason why we did it, and we are happy to be part of this not only extreme, but progressive and interesting and diverse lineup. It’s been a great time.
“Firstly, I understand that these ‘no jumping into the crowd’ rules come from certain venues, and not from Summer Slaughter – because most of the nights, it has not been an issue at all — only in a certain chain of venues (and you know well which ones I am talking about), where policies have been so strict that the local security would not even let band members get back on stage or backstage, after they had jumped into the crowd!!! Excuse me, but I find this a bit pathetic. And again, this was not coming from the Summer Slaughter HQ.
“I do see your point on the risks involved, in theory. In practice, it’s really not about justifying jumping off 30 feet balconies at House of Blues, it’s not about jumping feet-first into the crowd, with the intention to hurt fans. When you have a light-weight vocalist that communicates with the crowd a lot, and makes them anticipate the jump, the potential risk of injury is about as high as the risk of a guitar player breaking his ankle while stepping on the monitor, or the risk of dying from a heat stroke on a tennis court.
“With this whole discussion (not just here but in general), what I find lacking most of the time is a bit of common sense. We don’t want anyone to get hurt, and the people in the first row don’t want to get hurt either, but they are aware of being in a higher energy scenario then in the back of the room there (and hence are more alert and cautious and raise their arms when someone jumps). There is a minimal potential risk involved when a crowd gathers to watch a band play, gets excited, and starts moving — just as there is a potential risk involved with playing volley ball, or doing any kind of sports, really. And in the end, that’s what a rock ‘n’ roll show is, both for the band, as well as for the majority of the audience: an event of sports.
“Stage diving is a beautiful thing — it’s an intense interaction between the crowd and the band. It’s the crowd that actually makes it work, for if they cleared out and if there was none to catch the singer, he would face plant on the floor. The fans don’t want that, and the momentum of energy unleashed when a 90 pounds singer leaps into the crowd and 20 people raise their arms to catch him is low enough that none will get hurt. We may not have been doing this back in the days when Iggy Pop, one of my biggest idols, did it — but we’ve been doing it for 12 years too, and noone ever got hurt in any of close to 1000 shows we have played with this band. Just saying.”
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